A festival's interests do not necessarily align with those of any given filmmaker submitting to that festival. Ginger Baker! The Festival Express was the brainchild of Ken Walker and his well-heeled associate Thor Eaton, a scion of the retail colossus. Festival Express [2014, Documentary, Music, Blu-ray, 1080p/480i] » Документальные фильмы о музыке и музыкантах (HD Video) :: RuTracker.org From whom to seek advice about the best possible rollout, domestically and internationally? She writes a well-regarded blog on nonfiction filmmaking called Still in Motion. Washington Post. ", Of course, some festivals and markets do provide a pretty close to perfect market experience if your distinct purpose is to do some business-provided that you're thoroughly prepared to do so if you get the privilege to attend a venue like Hot Docs or the Sheffield Doc/Fest in the UK. The descendant of Russian immigrants who had been jewellers to the czars, Walker was 24 years old in 1970, a recent commerce graduate. We also spoke to a few filmmakers who have had the beneficial experience of doing a circuit or two. TV Shows. However, when a filmmaker is given a slot, he or she should have a very specific list of objectives at that festival and then let the directors know what those objectives are. “Beware” Of This Musical Madman! Which programmer to trust with watching a rough cut or work-in-progress? We found more than 1 answers for Artist Featured In The "Festival Express" Documentary. This is no small thing to lose sight of. Menu. You can narrow down the possible answers by specifying the number of letters it contains. What's on TV & Streaming What's on TV & Streaming Top Rated Shows … Wilson, a filmmaker himself, maintains that he and Sturtz have no desire to become a market, or coalesce with other markets. Christian Gaines has over 20 years' experience programming and directing festivals, including all the fests run under the American Film Institute banner. "I did a lot of one-to-one research with commissioners to ask them what they wanted, and designed the MeetMarket around the results of that research, taking a user-centered approach to it to make sure it actually did what the buyers wanted. We use historic puzzles to find the best matches for your question. Netflix. This compilation of footage from the Grateful Dead’s Canadian train tour depicts the height of the band’s music and fame for five days in 1970, along with that of performances from Janis Joplin, Buddy Guy, The Band and The Flying Burrito Brothers. Amazon.de - Kaufen Sie Festival Express (Jerry Garcia, Janis Joplin et al) and Glastonbury - Two Documentary Movies on One Disc (Region 3) günstig ein. The news out of Park City wasn't a total surprise, since talk of just this kind of extra-festival exhibition scenario had been bandied about in programming and filmmaking circles for a while, spearheaded for the most part by Geoffrey Gilmore, who left his leadership role at Sundance last year to creatively oversee Tribeca Film Enterprises. With crossword-solver.io you will find 1 solutions. How can I find a solution for Artist Featured In The "Festival Express" Documentary? The filmed account of a large Canadian rock festival train tour boasting major acts like Janis Joplin, The Grateful Dead and The Band. It is part and parcel of taking a film to market, period--especially if one wants theatrical play. To be a nonprofit entity while trying to be a market-and-bottom-line-driven one seems foolhardy and counterproductive. With Janis Joplin, Grateful Dead, The Band, Rick Danko. Documentary In the summer of 1970, several of the eras biggest rock stars took to the rails for Festival Express. Heather Croall, Sheffield's director, has been concentrating on cross-platform distribution since 2000. So, have a strategy!". The film Festival Express is a momentous achievement in rock film archaeology which combines the long-lost material with contemporary interviews that add important context to the event nearly 35 years after originally being filmed. Will the rights holders get their fair share of the revenue pie, which includes not only revenue from ticket sales, but also sponsorship revenues? Except for those deep-pocketed festivals, it's not a viable business model. Festival Express is a 2003 documentary film about the 1970 train tour of the same name across Canada taken by some of North America's most popular rock bands, including the Grateful Dead, Janis Joplin, The Band, Buddy Guy, Flying Burrito Bros, Ian & Sylvia's Great Speckled Bird, and Delaney & Bonnie & Friends. This is why we have designed the MeetMarket as we have, with a very sophisticated online match-making system in advance that makes sure the buyers, in the main, only meet the projects that fall within what they're looking for. All Rights Reserved. Bob Smeaton directed, Gavin Poolman and John Trapman produced the film. In an interview I conducted with Sky Sitney, SilverDocs' artistic director, in February 2009, she stated unequivocally that "Every film is its own universe." Find helpful customer reviews and review ratings for Festival Express | Documentary | NON-USA Format | PAL | Region 4 Import - Australia at Amazon.com. Pamela Cohn is a New York-based independent media producer, theatrical outreach and social engagement producer, film programmer, and freelance arts journalist writing for many publications and sites including Hammer to Nail, Filmmaker Magazine and DOX Magazine. We add many new clues on a daily basis. Festival Express is a documentary about the 1970s train tour across Canada, some of the biggest rock bands from America played during the tour like Grateful Dead, Janis Joplin, The Band and Delaney & Bonnie & Friends. Movies. I can’t believe we hadn’t seen this before! Which festivals provide round-trip transportation, accommodations, per diems for food and drink, and other costs associated with taking a film on the road? If one festival, or an alliance of festivals, starts negotiating with rights holders to distribute a given film, what are the terms? One grows up fast on the festival circuit, learning an infinite array of lessons and cautionary tales to take into the next go-round, and that's the best thing to come out of it. Would you like to receive event invitations, news, and updates from the International Documentary Association? ", In the same issue of indieWIRE, entertainment lawyer Steven Beer wrote, "For many independent filmmakers and producers, 2010--starting with the upcoming Sundance Film Festival-figures to be a watershed year and the beginning of a Decade of Filmmaker Empowerment. Create Account Sign In. Qualifizierte Bestellungen werden kostenlos geliefert. In the case of David Wilson and Paul Sturtz's True/False Festival out of Columbia, Missouri, filmmakers, programmers, fest directors, and especially the town of Columbia, agree that Wilson and Sturtz have created one of the top festival destinations in the country. Brilliant Cream Drummer! Director Bob Smeaton talks to NPR's Liane Hansen. There continue to be plans afoot among many other festivals to offer similar curatorial packages to extra-festival communities. The documentary Festival Express captures a 1970 train tour across Canada with Janis Joplin, the Grateful Dead and other music icons. In essence, this is what the best festivals currently provide, isn't it? Time to celebrate the legendary “mad men” of rock, beginning with one of the greatest drummers of all time, who just happens to be larger than life! These places have great festivals, as well as a great art-house cinema culture. These conversations center on the idea that film festivals could possibly play other roles besides a showcase for fresh, innovative work or a platform for filmmakers to meet potential audiences and fans. Festival Express is a spellbinding documentary that nostalgically chronicles five days in the summer of 1970, ... Long-lost documentary footage of ’70s stars emerges and makes an oft-revisited era fresh and exciting. Einige der besten Rockbands der damaligen Zeit nahmen daran teil, so auch Grateful Dead, Janis Joplin, The Band. "Festivals struggle in the best of times," says Thom Powers, documentary programmer at the Toronto International Film Festival. Oscars Best Picture Winners Best Picture Winners Golden Globes Emmys STARmeter Awards San Diego Comic-Con New York Comic-Con Sundance Film Festival Toronto Int'l Film Festival Awards Central Festival Central All Events Observes Farnel, "Given that film festivals appear to be thriving, at least in terms of audience growth, while other sectors, namely distribution and commercial exhibition, flounder, there does seem to be a growing consensus that film festivals could provide a spine to whatever new distribution/exhibition model(s) emerge in the coming years...The core change that is central to all of these so-called hybrid strategies, however, is that a film has to be 100 percent ready to enter the commercial market on the heels of--or even concurrent with--a festival premiere. Many have finally woken up to the fact that there are audiences in Alabama and Arizona and West Virginia and Kansas and Indiana that want what New York and San Francisco audiences have in abundance--the chance to see first-run features fresh off their festival run in the cinema. But can, or should, festivals act as hybrid discovery showcases, taking some films directly to cinemas? If certain letters are known already, you can provide them in the form of a pattern: "CA????". Set in 1970, Festival Express was a multi-band, multi-day extravaganza that captured the spirit and imagination of a generation and a nation. "Distribution is not an opportunity that looks like a winning financial one." Filmmaker Havana Marking concurs: "The one thing I have learned from my festival experience with Afghan Star is that every film is different, every festival is different, and that a personalized approach to distribution and the circuit is required for each.". The Festival Express saga is told with verve in an eponymous documentary film released in 2003. He maintains, "Festivals need to go back to their core values--honoring the artist by showing his or her work with the best possible picture and sound and enhancing the audience/filmmaker relationship as much as possible. After years of disenchantment with traditional all-rights distribution deals, filmmakers and producers are poised to take matters into their own hands and forge a truly independent path to marketing and distributing their films.". A delirious piece of pop ephemera, a time capsule set on the cusp between the Summer of Love and the Day the Music Died. But to throw something over the transom willy-nilly and hope for the best is naïve, and gives a festival acceptance or rejection far too much weight since, as Withoutabox's director of festivals, Christian Gaines, puts it, "Any one person's opinion is informed by the reality of his or her own business model." Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. The most likely answer for the clue is JANISJPLIN. What kinds of networking opportunities will you have with other filmmakers, industry executives and commissioning editors? But as Jim Browne, Tribeca Film Festival programmer and principal of Argot Pictures, a New York-based independent distribution and production company, says, "Your festival run is part of your film's release strategy--essentially the launch of your film out into the marketplace. So far, it's been very successful at getting real deals happening.". © 2020 Copyright: "I try to book one of our other films not playing the festival at another venue, which includes colleges, high schools, organizations and/or museums. Festival Express (2003 Documentary) April 18, 2020. Muddying already muddy waters is not the way forward, for either filmmaker or programmer. This is the best way to ensure that festivals will keep their focus on creating filmmaker-centric events. In the summer of 1970, some of the era’s biggest rock stars took to the rails for Festival Express, a multi-artist, multi-city concert tour that captured the spirit and imagination of a generation. The Sundance Film Festival is one of the few venues that can now offer some kind of built-in strategy for a select number of films that debut there. "Film festivals are the only arts-based events that do not pay fees for their content," Farnel continues. What they can provide is a watermark of sorts; in years to come, True/False aims to become more like an old-fashioned record label, with something along the lines of a branded collection that can be sold on various sites, and also perhaps be a fully fleshed-out road show sometime down the line. Should they be quasi-distribution mechanisms--or distribution enablers, if you will? Do you consider this your theatrical exhibition and ask for screening fees and other related costs? Festival Express (2003) cast and crew credits, including actors, actresses, directors, writers and more. Directed by Bob Smeaton, Frank Cvitanovich. "Distribution is not an opportunity that looks like a winning financial one." You can easily improve your search by specifying the number of letters in the answer. Log in or sign up to comment on this video. Der Festival Express war 1970 eine Konzerttour vom Osten zum Westen Kanadas. "Obviously, in a model in which festivals take on more ownership of the distribution life of a film, ‘free' won't sustain the production of new work to feed the market...We have to work together to transition to a model in which rights holders begin to tangibly share in the revenues generated by film festivals, modest though they are.". 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