Horror Noire: A History of Black Horror is a 2019 American documentary film directed by Xavier Burgin and based on the 2011 non-fiction book Horror Noire: Blacks in American Horror Films from the 1890s to Present by Robin R. Means Coleman, PhD. Use the Amazon App to scan ISBNs and compare prices. Most of the films discussed were new to me--I really do not watch a lot of horror films LOL. Reviewed in the United Kingdom on January 20, 2018. From BIRTH OF A NATION to KING KONG to WHITE ZOMBIE to NIGHT OF THE LIVING DEAD to CANDYMAN, Coleman goes in depth as he slowly deconstructs how Black people have functioned in horror films as time has gone on, and how the Black film community has made responses to the white dominated genre. The 2019 documentary is streaming on Shudder. Certain Dark Things by Silvia Moreno-Garcia. The documentary “Horror Noire” uses the 2011 book of the same name by Professor Robin R. Means Coleman as its source material. Thanks but no thanks. Means-Coleman plunders a natural, yet untapped source: the horror film. Based on the book Horror Noire by Robin R. Means Coleman, this Shudder Original begins and ends with a discussion of the importance of the critically-acclaimed 2017 horror film Get Out. Bring your club to Amazon Book Clubs, start a new book club and invite your friends to join, or find a club that’s right for you for free. Men, Women, and Chain Saws: Gender in the Modern Horror Film - Updated Edition (Princeton Classics), The Dread of Difference: Gender and the Horror Film (Texas Film and Media Studies), The Science of Women in Horror: The Special Effects, Stunts, and True Stories Behind Your Favorite Fright Films, Monsters in the closet: Homosexuality and the Horror Film (Inside Popular Film), The Monster Show: A Cultural History of Horror; Revised Edition with a New Afterword, Men, Women, and Chain Saws: Gender in the Modern Horror Film, Recreational Terror: Women and the Pleasures of Horror Film Viewing (SUNY series, INTERRUPTIONS: Border Testimony(ies) and Critical Discourse/s), Robin Wood on the Horror Film: Collected Essays and Reviews (Contemporary Approaches to Film and Media Series). HORROR NOIR Brief content visible, double tap to read full content. Great example of qualitative research that connects media content with historical events -- persuasive and illuminating, Reviewed in the United States on January 18, 2017. African Americans, Media and Identity, both published by Routledge, and most recently the co-edited volume Fight the Power! Really excited for a Halloween reading with contributors to a new anthology from Mason Jar Press (The Horror Is Us), Justin Sanders, Taylor Sykes, and Laura Walker, and Dr. Robin R. Means Coleman, author of Horror Noire and a Chatham graduate! Maaaan this is hecka good. After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in. While it was written in 2011 so it's not as up to date as it could be, it traces, analyzes, and explores the role of Black people in American horror films from the 1890s to the early 21st century. Please try again. 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